MAULBERTSCH, Franz Anton

Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century


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MAULBERTSCH, Franz Anton Ceiling decoration oil


Ceiling decoration
Painting ID::  64611
Ceiling decoration
1782 Fresco Episcopal Palace, Szombathely Artist:MAULBERTSCH, Franz Anton Title: Ceiling decoration, 1751-1800, Austrian , painting , religious
   
   
     

MAULBERTSCH, Franz Anton Ceiling decoration oil


Ceiling decoration
Painting ID::  64612
Ceiling decoration
1782 Fresco Episcopal Palace, Szombathely Artist:MAULBERTSCH, Franz Anton Title: Ceiling decoration (detail), 1751-1800, Austrian , painting , religious
   
   
     

MAULBERTSCH, Franz Anton Der Apostel Philippus tauft einen Eunuchen oil


Der Apostel Philippus tauft einen Eunuchen
Painting ID::  68373
Der Apostel Philippus tauft einen Eunuchen
Technique Deutsch: Öl auf Papier Dimensions Deutsch: 50,5 ?? 34,5 cm
   
   
     

MAULBERTSCH, Franz Anton Der Apostel Philippus tauft einen Eunuchen oil


Der Apostel Philippus tauft einen Eunuchen
Painting ID::  72459
Der Apostel Philippus tauft einen Eunuchen
c. 1750 Öl auf Papier 50,5 X 34,5 cm cjr
c._1750 Öl_auf_Papier 50,5_X_34,5_cm cjr
   
   
     

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     MAULBERTSCH, Franz Anton
     Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century

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